Leaflet Review: The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente

The Girl Who Circumnavigated Fairyland in a Ship of Her Own MakingSeptember is a girl who longs for adventure. When she is invited to Fairyland by a Green Wind and a Leopard, well, of course she accepts. (Mightn’t you?) But Fairyland is in turmoil, and it will take one twelve-year-old girl, a book-loving dragon, and a strange and almost human boy named Saturday to vanquish an evil Marquess and restore order.

Not since Oz has there been a land—or a cast of characters—so rich and entrancing.

My last review was about a collection of Catherynne M. Valente’s shorter novels, and in this children’s novel, Valente retains her unique voice and mastery of language, but infuses it with veins of humor and whimsy. Where the other novels I reviewed are not books I would recommend for light reading, The Girl Who Circumnavigated Fairyland is something you can curl up with and enjoy along with a cup of hot chocolate.

Fairyland imitates a Victorian-style children’s novel, complete with a separate narrator character. However, the narrator and the novel’s circumstances have a modern flavor on the sly. The book consists of a series of small quests—retrieving a witch’s spoon, finding a magic sword, and freeing good friends from imprisonment—but they all flow together into a nice plot arch overall.

My favorite part of the book was probably A-through-L, the Wyvern whose father was a library (making him a Wyverary, to be more exact). He’s kindhearted and quirky, and he takes huge pride in his vast knowledge of all things that start with the letters A through L (he hasn’t had a chance to study the rest of the letters yet, though his siblings have the rest of the alphabet covered).

Ell, as September calls her Wyverary friend, is fairly typical of the rest of the settings and characters in Fairyland. Everything and everyone has a few targeted things they’re really good at, but they’re also specifically limited in interesting ways. Marids grant wishes, Leopards fly on the winds, and furniture over 100 years old comes to life. But Marids must be wrestled within an inch of their lives before wish-granting, some Leopards aren’t allowed in Fairyland, and most furniture has a pretty poor attitude after 100 years of abuse at various human hands.

And through it all, September goes from being a Somewhat Heartless human child to a Hardly Heartless hero with a host of Fairyland friends. All before her airplane mechanic mother notices she’s missing or her soldier father comes home from the war in Europe. For a twelve-year-old from Omaha, Nebraska, not a bad first visit to Fairyland.

Cover illustration by Ana Juan.

How to Name a Hero, with Alex Bledsoe

Author Alex Bledsoe

Today’s post comes to you from novelist Alex Bledsoe. He has been a reporter, editor, photographer, and door-to-door vacuum cleaner salesman. Today he’s the proud author of  the Eddie LaCrosse series, the Memphis Vampires series, and The Hum and the Shiver (the text of which I reviewed here, and the cover of which made my list of favorites for 2011). His website is AlexBledsoe.com.

A character’s name is one of the most important things the writer has to discover. The way a name sounds, the way it looks on the page, even the way it’s spelled can make the difference between forgettable and archetypal. Sometimes the name seems inevitable, while for other times, the character may go through a half-dozen before finding one that fits.

Ian Fleming took the name “James Bond” from the author of an ornithological guide lying around his Jamaican home, because he wanted a bland, forgettable name, one perfect for a spy. Indiana Jones (originally “Indiana Smith”) was named, not after the state, but after George Lucas’s dog. In both cases the names already existed in other contexts, but the writers recognized that they fit their fictional characters. The same thing recently happened to me: in my upcoming novel Wake of the Bloody Angel, I realized author Rhodi Hawk’s name perfectly suited a character. I changed the spelling, and of course asked if the real Rhodi would mind. Luckily for me, she was delighted.

Sometimes you can work with the wrong name for a long time without realizing it. Margaret Mitchell’s heroine was called “Pansy” until almost the last minute, when she changed it to “Scarlett.” Luke Skywalker was originally the far more martial “Luke Starkiller.” In my own case, my hero was named “Devaraux LaCrosse” for over a decade’s worth of unpublished drafts, until I was suddenly struck by the idea that he needed a normal, everyday name and he became “Eddie” for his debut, The Sword-Edged Blonde.

Many heroes have names that conform to a system. In Superman mythology the initials “L.L.” are far more prominent than they would be in real life: Lois Lane, Lana Lang, Lex Luthor, Linda Lee. I mean, really: what are the chances of one guy having two girlfriends, and an arch-enemy, with the same initials? The absolute master for naming within a system was undoubtedly J.R.R. Tolkein: for example, the people of Rohan are expert horsemen, and so their names (Eomer, Theoden, Eowyn) incorporate “Eo,” the Anglo-Saxon prefix for “horse.” In my novel Dark Jenny, the setting and many of the characters were based on Arthurian legend, so I sought names that evoked, even if only tangentially, their origins. Lancelot, for example, becomes Elliot Spears (lance, spear, get it?); Morgan becomes Megan; Guinevere becomes Jennifer, and so on. I kept a couple of names as-is, but used them as surnames with normal first names (“Bob” Kay and “Ted” Medraft).

And on occasion, the naming gods simply smile on you. The characters in The Hum and the Shiver were named with very little forethought, with the only criteria being that they had to have Celtic origins. But it turned out that the names fit the personalities better than I ever realized. The protagonist’s name, Bronwyn, means “dark and pure.” The impulsive youngest child is named Aiden, which means “fiery.”

But the real master for names, hands down, just celebrated his 200th birthday. Charles Dickens came up with names that both sounded great and conveyed their bearers’ personalities: Ebenezer Scrooge, Noddy Boffin, Bob Cratchit, David Copperfield, and Martin Chuzzlewit, to name just a handful of his best known.

There are as many approaches to naming as there are characters to name. I’m currently working on a novel that takes its basic plot dynamics from Shakespeare, which of course means I can raid lists of Shakespearean names. Another work in progress takes place in a particular geographic area, so it’s off to find out what family surnames are found in that area. One day, I might even create a character as archetypal as James Bond or Scarlett O’Hara. Heck, maybe I already have, and I just didn’t get the name right.

If you appreciated Alex’s post, be sure to pay his blog a visit.