Since I last posted, I completed my master’s degree in English, moved house, worked on dozens of projects, and got a dog and six chickens. But today I’d like to highlight three recent-ish projects that are on the same topic: fairy tales.
The first project,Channeling Wonder: Fairy Tales on Television, is a collection of scholarly essays edited by Pauline Greenhill and Jill Rudy and published by Wayne State University Press. I indexed the volume, and it was a pleasure to read (not to mention the fact that it fed into research for my master’s thesis). The topics contained in the book are broad, and the various authors bring unique concerns, interests, and perspectives to the discussion about fairy tales on television. And look at that cover! Isn’t it nice to find an academic press that takes a little pride in the designs as well as the content?
The book spawned another project I worked on: Fairy Tales on Television. I was one of many research assistants and contributors who made the searchable database and functional data visualizations possible. The database is a research tool for researchers and creators whose interests intersect with fairy tales and television. I’ve used it for research of my own, and I might be preparing an infographic summarizing my findings. (So stay tuned for that.)
Outside of academia, I also had the opportunity to work with Laura Christensen, a French-to-English translator who translated “Persinette,” a literary French fairy tale similar to “Rapunzel.” Laura translated the tale, wrote a delightful introduction, provided some biographical information on the author, and included introductions to and public-domain translations of the Grimms’ “Rapunzel” (which was published after “Persinette”) and Giambatista Basile’s “Petrosinella” (an Italian tale published before “Persinette”). I copyedited the text (except the public-domain translations) and formatted everything for its upcoming ebook release. Laura lets you know where you can find her collection on her translation website.
My most recently completed editorial project isn’t technically a Looseleaf project—I’m the temporary managing editor for this one, not a freelancer, exactly—but I wanted to share it anyway. The last project was a novel, but this one was a scholarly journal focusing historical approaches to folklore (or folklore in a historical perspective). I present volume 29 of The Folklore Historian, a member of the American Folklore Society’s family of publications.
I didn’t do all the work on this issue. I took over at the beginning of the semester, so I proofread the final text, managed final revisions with the authors, laid the journal out in InDesign, designed the cover, and took the files to and checked the proofs from the press.
I’m pleased to present Looseleaf’s most recently completed book-length project: Unraveled by Michelle C. Eging. It’s an adult fantasy novel, the first in a trilogy.
Michelle was a joy to work with. I completed the interior layout for the print version, the ebook layout, and the cover designs for both the print and electronic versions. (Remember, cover design does not mean the same thing as cover illustration. The lovely illustration is the work of Michelle Wilber.) I also did the final proofreading. Here is the back-cover copy for the novel:
In the aftermath of the War of Awakening, the King and his Council condoned the Purge, methodically executing members of the magically gifted Blessed so no person’s power will threaten Sole again. After years of political negotiation, the Purge has ended, requiring the Blessed to brand their faces and creating a rift that has Sole on the brink of civil war. Enwyck, the daamon half-blood Prince of Sole, Joslynn, a woman whose mask hides her deformed and poisonous spider-silk skin, Windle, a former Godmother now hiding as an old man, and Kasimir, a blind cripple no longer able to transform into a raven, find themselves struggling to preserve the kingdom while confronting the trauma of their pasts and the broken pieces of their present. One false move and everything they fought for will unravel, if it hasn’t already.
If that tickles your fancy, go forth and buy the book here. It’s available in both paperback and electronic forms from Amazon. (If you’re an ebook-reading Amazon Prime member, you’ll also be interested to know that the book is a part of the lending library.) If you have a non-Kindle ereader, touch bases with Michelle here at let her know you’re interested. Sometimes the other distribution channels can take a while to get things up.